CLASSES
 
 
Our winter classes are now available.  To register, contact us at info@theworkshopstudio.org. Classes begin in January. Sign up soon.  
 
 
 
 
Winter Classes:

 
Fiction Writing Workshop, Wednesdays at 6:30pm starting January 6th with Sara Erdmann.
http://workshopstudiofiction.blogspot.com/
  
Foreign Film and Creative Writing, Thursdays at 7:00pm starting January 14th with Carla St. Gelais.
http://workshopstudioforeignfilm.blogspot.com/
 
Multi-Genre Project, Bound, Sundays at 12:00pm starting January 17th with Tamara Collins.
http://workshopstudiomultigenre.blogspot.com/
  
 
 
 
One Day Workshops:
 
(Saturdays from 1:00pm to 4:00pm).
 
 
Dialogue, Setting the Stage, M. F. Bloxam, Saturday, January 9th.
http://workshopstudiodialogue.blogspot.com/
 
Researching Fiction, Creating Authentic Writing, J.E. Seymour. Saturday January 23rd.
http://workshopstudioresearch.blogspot.com/
 
Getting Published, Josiah Eikelboom, Saturday, February 6th.
http://workshopstudiogettingpublished.blogspot.com/
 
Getting Inspired, Literary Exercises, Donna Kirk, Saturday February 20th. 
(Class description available soon).

 
 
 
 
 
Registration for an eight week class is $50 and costs $25 a week. You may pay all at once or at the start of each class. Cash or check is accepted.  
 
One day workshops are $35 and there is no registration fee.
 
Unlike a college course that can cost $900 or more, our classes are modern, vibrant, traditional or experimental and involve field trips, writers who are actively engaged in literary events and are run by professionals. There will be chances to meet and network with all kinds of people including people from publishing, retreats, art colonies, open mics, magazines, and newspapers. All age groups attend The Workshop. Each class is unique. Whether you write for yourself or to be published, be prepared to walk away with a finished project, new experiences and enhanced skills.
 
  
 
 

 

 

 

 

 


 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
                   Photo by Nir Tobir, click on picture to see his link.
 
 
 
Instructors Wanted:
 
Do you have an idea for a writing class?  Resumes are currently being accepted for inspired, dedicated instructors. Qualifications must include a mixture of a number of these things: a track record of successful work done in the field of literary arts, college credits or a degree, publication, teaching experience, dedication to a new movement, a person who is off the beaten path or currently working as a practiced writer. Classes are meant to be informal yet engaging.  This is a paid position.
 
 
 
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This list is to give you an idea of the classes we run at The Workshop.  Each session runs for 8 weeks and offers a new variety of choices.  
 

 
Getting Published: An exploration of the avenues and options that are right for you whether you are writing essays, feature articles, short stories, poems or a book.  Drawing on the expertise of the instructor's experience, this class is a workshop to address the world of publishing including cover letters, proposals, soliciting manuscripts and compiling sources. An engagement with literary events, readings, lectures, editors, magazines and small or larger presses will be explored.  

Finishing A Novel: You have an idea; it's burning to be written. In the distance, you see a finished book on a shelf with your name on it. The road map to get there is uncertain, the amount of work overwhelming, your brow sweats in anticipation--those who climbed Everest have nothing on you. This class is taught by a professional for the purpose of helping you organize chapters, build on ideas and get it going. This is a class for advanced writers who have their writing skills down. Expect research, readings on how to finish a novel, a field trip and to write extensively each week. For more specific fiction writing issues like dialogue, action, voice or themes, see the Fiction class or individual consulations are available. 
 
Fiction: This is an easy paced, creative class to practice the art of fiction.  Short stories will be assigned, essays read, open mics and author readings attended. By the end of class, you will have written two polished stories.  This class will cover the nuances of writing great fiction as they come up (setting, place, dialogue, suspense, description, narrative, flashbacks, character development). Trips to local places for the observation of setting, interaction and dialogue are also expected. 
 
Crime and Dark Characters: So, your a fiction writer, hu?  Really?  Have you ever thought about the darker side of what you do?  What about the characters peppered through out life who add mystery, intrigue or horror to human experience?  How do you create that character, convicingly?  This Crime Class is for those who want to understand the darker characters of fiction.  The instructor will explain how to research things like robbing a bank without actually having to do it yourself so that your fiction is authentic.
 
Writing Essays: So your passion is of the non-fiction variety. You have ideas, you listen, absorb, research, think; and at the end of the day you have a series of arguments, research and insights to compile. But to write essays a sense of authority is necessary.  How do you write a convincing thesis? How do you back it up with just the right amount of information, concise language and bomb-proof facts? This is a class for those who want to go over the ways one can polish impressive essays. Expect to walk away with a portfolio of publishable work.
 
Multi-Genre Project: The multi-genre project is a personal collection of writing bound in a creative way that you can take with you. The goal is to select a handful of writing styles (bumper sticker, flash fiction, prose poem, recipe, text message, billboard, short story) to explore one topic with that you are passionate about; whether it's travel, family, a historical event, nature, love, etc. By the end of the class, you will have a bound project of creative writing that pushed you to explore many genres while celebrating an important topic for you in a series of creative ways.  
 
Travel Writing: This class is about the places you have been and have yet to go. Maybe you have a stack of photographs that you've been dying to put together with an artful series of vignettes or essays? Whether you travel to Boston, Vermont, Uraguay, or Utah, you've been meaning to get these stories down and publish them or put them in a portfolio or scrapbook. This class will discuss travel writing tips, offer excerpts from inspiring travelers, find unique ways to use voice. One class trip will be scheduled and a finished body of work or a portfolio should be expected.  
 
Photojournalism: Who better to write about an event than the person taking pictures? What better than a portfolio of stories? Where better to practice these skills than The Workshop? When has there ever been so many cool photography opportunities? How could you pass this class up?  Taught by a professional journalist in the field, the class will cover interviewing, form, ethics, and editing. This is a class for the intrepid reporter who finds something about politics, community life, art, history and social movements the stuff that gets them up in the morning. Freelance opportunites through our expanding network of professional news organizations and on-line journals will be explored and followed up on. Examples of news writing, photographs, historic figures in the field and writing exercises will be included.
 
The Novel As Social and Political Narrative: (Being developed).
 
Spoken Word/Slam Poetry: Across the country in taverns, pubs, cafes and livingrooms, spoken word has a vast and energetic history; whether biting and political, moving and vulnerable or bombastic and hilarious, poetry spoken outloud has captivated audiences everywhere. This class is a workshop on how you put together a poem meant to be read outloud. It will cover issues like voice, style, stage presence, message and imagery.  The class will help you develop a series of spoken word poems to be read at local open mics in the seacoast and as faraway as Boston.
 
Feature Writing/Creative Non-Fiction: This is a chapter of writing dedicated to life as it really is from your perspective. It's a blend of narrative, journalism and storytelling that sticks to real events, people and history but unlike the memoir, these stories are about the world. A branch of journalism with a literary zest, this style of writing plays by some rules of journalism and some rules of literary arts to engage reality with artful prose. Maintaining certain facts and a sense of authority gives this style weight, while allowing room for the stories to be inventive with creative description and assembly.    
 
The Poetic Collage: Literary art on canvas by using snippets of written words mixed with art materials such as paint, pictures, scraps, wood, glass, cloth, etc. A major art project will be developed by the end of class.
 
Grammar and style: Grammar and style, what are they exactly?  Modifiers, adjectives, m-dashes, participles.  How do we know when we've violated their conventions, and why do such violations make us cringe even if we don't recognize the reason?  How and why do some violations liberate us?  Using clear examples, we will mess around with and learn the actual mechanics of the English language to answer these questions. In other words, this is a class for writers who know they know grammar and style, kind of, but want a deeper grasp of these formal elements of writing.  We will be looking at some classic texts on grammar and style as well as modern texts to gain an understanding of the rules we can't avoid and the rules we can reinvent.  We will learn the rules in order to play with them and use language in clever ways. With grammar under our belt, we can turn to style and consider how writers have uniquely applied these rules to heighten their writing, or add depth to their meaning.  We will also look at how these same rules have been challenged, changed or broken by certain movements and how this liberated their work.
 
Myth and The Hero Arch: (Being developed).
 
The Classics: We've all heard of the literary canon. In fact, one can't pass the GRE English Subject Test unless one knows it inside and out. But, for many of us, these classic tomes are a fascinating horror; all at once tempting and frightening. This is a class to end that fear (and maybe stoke it a little). Class participants will be encouraged to join The Workshop's Book Club (whose mission is to read a healthy portion of classics among others in the canon). Periods, movements, major literary figures and excerpts will be drawn up.
 
Modernism (Prose as Portraiture): This class is designed to focus on the nuances of great modern prose style - a glimpse not only into what prose is but also into the infinite effects of its magic.  There will be a directive of perceiving good prose as you would look at a painting.  There is not one great style but many, and it will be the study of the contours, colors, shapes and movements of prose works by authors such as Henry Miller, Vladimir Nabokov, Jack Kerouac, Samuel Beckett, Paul Bowles, Gertrude Stein, Hermann Hesse, James Joyce etc.  The class will include close reading of the material, an essay assignment and a final project. 
 
Postmodernism: From Wallace's Infinite Jest, Shane Jone's Light Boxes, Ali Smith's Hotel World, Blake Butler's Scorch Atlas, and Tao Lin's Shop Lifting From American Apparel, postmodern writers are challenging ideas and reshaping the aesthetic of literature. This class will look at essays, excerpts, conversations, debates and offer an over-view of the lives and writing of those who have thrown their hats in the ring.
 
 

 
 
the workshop .